was margaret lockwood's beauty spot real

she made her stage debut at 15 as a fairy in " A Midsummer Night's Dream" at the Holborn Empire. When Barbara smothers the godly old servant (Felix Aylmer) whos lingering on after drinking her poison, she was speaking for all mid-40s women who were impatient to dispense with patriarchalcant. Her gentle beauty was heightened by different degrees of melancholy inBank Holiday(1938) andThe Lady Vanishes(1938), undimmed by her playing an indolent, pouting trollop inThe Stars Look Down(1939), and coarsened by the twisted thoughts of her Regency-era social climber Hesther in The Man in Grey (1943), her highwaywoman Barbara Worth inThe Wicked Lady(1945), her psychopathic title characterinBedelia(1946). She is commemorated with a blue plaque at her childhood home, 14 Highland Road in Upper Norwood. She had a bit part in the Drury Lane production of "Cavalcade" in 1932 . [44], In 1952, Lockwood signed a two picture a year contract with Herbert Wilcox at $112,000 a year, making her the best paid actress in British films. Full Time, Part Time position. "I like moles. Any moles or flaws are usually Photoshopped out to create the image of beauty." The actress Margaret Lockwood was one of Britain's biggest 1940s film stars. Whereas the vulnerability and sentimentalism exuded by Calvert and the hard-edged sexuality or selfishness of the Roc persona were discrete qualities, Lockwood demonstrated a capacity to range through conflicting emotions, especially in Gainsborough films, which explored and exploited womens needs anddesires. She returned with relief to Britain to star in two of Carol Reeds best films, The Stars Look Down, again with Redgrave, and Night Train to Munich, opposite Rex Harrison. Imagine the awkwardness of having a real beauty mark during this period in history? Enjoying our content? The first of these, The Man in Grey (1943), co-starring James Mason, was torrid escapist melodrama with Lockwood portraying a treacherous, opportunistic vixen, all the while exuding more sexual allure than was common for films of this period. In 1933, she enrolled at the Royal Academy of Dramatic Art, where she was seen in Leontine Sagan's production of "Hannele" by a leading London agent, Herbert de Leon, who at once signed her as a client and arranged a screen test which impressed the director, Basil Dean, into giving her the second lead in his film, "Lorna Doone" when Dorothy Hyson fell ill. Her body was cremated at Putney Vale Crematorium. "Since 1945 I had been sick of it there had been little or no improvement to me in the films I was being offered. Among her best performances was that in 1938, when Alfred Hitchcock cast her in The Lady Vanishes (1938), opposite Michael Redgrave, then a relative newcomer to Hollywood. The first of these was Hungry Hill (1947), an expensive adaptation of the novel by Daphne du Maurier which was not the expected success at the box office. No weekends or evenings required. Required fields are marked *. Enter your account data and we will send you a link to reset your password. Sign up for BFI news, features, videos and podcasts. A Margaret Lockwood performance was apparently the inspiration for Sean Pertwee's death scene in the 2002 film Dog Soldiers. Lockwood was well established as a middle-tier name. These days, Rowland doesn't like to leave home without her trusty appliqud beauty mark. She is survived by her children with Clark, Nick, Lucy and Katharine, and her son, Tim, from a previous relationship. Margaret Lockwood lived at 18a Highland Rd, London. Rank wanted to star her in a film about Mary Magdalene but Lockwood was unhappy with the script. A good thing about fake moles is that there's zero risk of one turning into skin cancer. She was born on September 15, 1916. [5][6][7] This was at 4,000 a year.[8]. She had the lead in a TV series The Royalty (19571958) and appeared regularly on TV anthology series. She was born on September 15, 1916. Seven ingenue screen roles followed before she played opposite Maurice Chevalier in the 1936 remake of "The Beloved Vagabond". After becoming a dance pupil at the Italia Conti school. She was made Commander of the Order of the British Empire in 1980. This last blow, coupled with the sudden death of her trusted agent, Herbert de Leon, and the onset of a viral ear infection, caused her to turn her back gradually on a glittering career. Her most popular roles were as the spunky heroine of Alfred Hitchcocks mystery The Lady Vanishes (1938) and as the voluptuous highwaywoman in the costume drama The Wicked Lady (1945). And even if that new mole is fine today, that doesn't mean it will be tomorrow. When asked about this, he referred to the foul grimace her character Julia Stanford readily expressed in the TV play Justice Is a Woman. In addition to her role in a wide variety of films, she was a vibrant brunette with a beauty spot on her left cheek. For British Lion she was in The Case of Gabriel Perry (1935), then was in Honours Easy (1935) with Greta Nissen and Man of the Moment (1935) with Douglas Fairbanks Jnr. Actors: Margaret Lockwood, James Mason, Patricia Roc. Cindy Crawford, for example, is notorious for her iconic "blemish." Yet, even she considered having surgery to get . She likes what she likes, okay? Even more popular was her next movie, The Lady Vanishes, directed by Alfred Hitchcock, produced by Black and co-starring Michael Redgrave. Lockwood died from cirrhosis of the liver at the age of 73 in London. Did anyone tell you what a slut you are? Grangers Rokeby says to Hesther in The Man in Grey, before slapping her; the accusation doesnt perturb her since she uses sex to rise in society. Still, our work isn't quite done yet. Margaret Lockwood lived at 34 Upper Park Rd, Kingston upon Thames KT2 5LD between 1960 and 1990. For other people named Margaret Lockwood, see, Margaret Lockwood in Cornish Rhapsody which comes from the British War Time Film "Love Story" and starred Margaret as a lady concert pianist. They did. Margaret Lockwood was appointed a Commander of the Order of the British Empire (CBE)[52] in the 1981 New Year Honours. Directed by: Leslie Arliss. She played an aging West End star attempting a comeback in The Human Jungle with Herbert Lom (1965). Lockwoods stage appearances included Peter Pan (194951, 195758), Spiders Web (195456), which Agatha Christie wrote for her, and Signpost to Murder (196263). Madeleine Marshtold BBC that it wasn't untilHollywood came to be that moles transformed from something to be abhorred to something to be admired. Lockwoods lips and upper chin tense Joan Crawford-style when her more heinous characters covers are blown, but not at the cost of audience empathy. After what she regarded as her mothers painful betrayal at the custody hearing, the two women never met again, and when a friend complimented Mrs Lockwood on her daughters performance in The Wicked Lady, she snapped: That wasnt acting. In 1965, she co-starred with her daughter, Julia, in a popular television series, The Flying Swan, and surprised those who felt she had never been a very good actress by giving a superb comedy performance in the West End revival of Oscar Wildes An Ideal Husband. In the postwar years, Lockwoods popularity fell out of favor. [1] She returned to England in 1920 with her mother, brother 'Lyn' and half-brother Frank, and a further half-sister 'Fay' joined them the following year, but her father remained in Karachi, visiting them infrequently. Summary: An interview of Margaret Lockwood conducted 1992 Aug. 27 and Sept. 15, by Robert Brown, for the Archives of American Art. I'll Be Your Sweetheart (1945) was a musical with Guest and Vic Oliver. Lockwood discusses her upbringing in a Boston area Irish family and her early . "[10], She did another with Reed, Night Train to Munich (1940), an attempt to repeat the success of The Lady Vanishes with the same screenwriters (Launder and Gilliat) and characters of Charters and Caldicott. In 1941, she gave birth to a daughter by Leon, Julia Lockwood, affectionately known to her mother as Toots, who was also to become a successful actress. As a result, Margaret took refuge in a world of make-believe and dreamed of becoming a great star of musical comedy. All rights reserved. Gaumont British were making a film version of the novel Doctor Syn, starring George Arliss and Anna Lee with director Roy William Neill and producer Edward Black. Later, aged 16 and playing Wendy, she joined her mother in the 1957 Christmas production. Margaret Lockwood. She also had another half-brother, John, from her father's first marriage, brought up by his mother in Britain. Actress: The Lady Vanishes. However she was soon to suffer what has been called "a cold streak of poor films which few other stars have endured. Her beauty is breathtaking; indeed, the viewer can recall that when Caroline (Patricia Roc) Introduced her to . Showing Editorial results for margaret lockwood. Access the best of Getty Images with our simple subscription plan. Lockwood was reunited with James Mason in A Place of One's Own (1945), playing a housekeeper possessed by the spirit of a dead girl, but the film was not a success. Leigh was a great classical actress and a member of Hollywood and West End royalty, but Lockwood was one of us. Organize, control, distribute and measure all of your digital content. With the drama picture Bank Holiday, she created a reputation for herself. She her flawless complexion - enhanced by a beauty-spot! After becoming a dance pupil at the Italia Conti school, she made her stage debut at 15 as a fairy in A Midsummer Nights Dream at the Holborn Empire. I think they're the cutest thing. These were standard ingnue roles. When the author Hilton Tims, was preparing his recent biography, "Once a Wicked Lady", a stall holder from whom he was buying some flowers for her, snatched up a second bunch and said, "Give her these from me. The amount of cleavage exposed by Lockwoods Restoration gowns caused consternation to the film censors, and apprehension was in the air before the premiere, attended by Queen Mary, who astounded everyone by thoroughly enjoying it. Let us know if you have suggestions to improve this article (requires login). The Lady Vanishes: The Criterion Collection [Blu-Ray]. Margaret Lockwood made her screen debut in the drama picture Lorna Doone in 1934. The film was the most popular movie at the British box office in 1946. Lockwood, born to a Scottish woman and her English railway clerk husband in Karachi on 15 September, was the most glamorous and dynamic of the female stars. In the 1930s, she appeared in a variety of stage plays and made her name. A noblewoman begins to lead a dangerous double life in order to alleviate her boredom. Farid Haddad, managing director of BMA Models, told BBC, "Men and women are both expected to be 'flawless' in the fashion world. In the 1969 television production Justice is a Woman, she played barrister Julia Stanford. While its hard to imagine Carey Mulligan or Keira Knightley being asked to offer up a Romantic paean to life within a few minutes, the demand on Lockwood made sense during the live for now atmosphere of World War II and she pulled off the flow with sustainedintensity. It's all Marilyn Monroe's fault," singer Kelly Rowland told People. Julia Lockwood with her mother, Margaret, in 1980. Lockwood never remarried, declaring: "I would never stick my head into that noose again," but she lived for many years with the actor, John Stone, whom she met when they appeared together in the 1959 stage comedy, "And Suddenly It's Spring". Getty Images. Lockwood also appeared in several other television shows. [30] "I was sick of getting mediocre parts and poor scripts," she later wrote. The amount of cleavage exposed by Lockwood's Restoration gowns caused consternation to the film censors, and apprehension was in the air before the premiere, attended by Queen Mary, who astounded everyone by thoroughly enjoying it. It is not too much to expect that, in Margaret Lockwood, the British picture industry has a possibility of developing a star of hitherto un-anticipated possibilities. Production Company: Gainsborough Pictures. In 1975, film director Bryan Forbes persuaded her out of an apparent retirement from feature films to play the role of the Stepmother in her last feature film The Slipper and the Rose. Lady barrister Harriet Peterson tackles cases in London. Beauty marks may very wellalwaysbe beautiful, but the truth behind them is often less glamorous. [1] In June 1934 she played Myrtle in House on Fire at the Queen's Theatre, and on 22 August 1934 appeared as Margaret Hamilton in Gertrude Jenning's play Family Affairs when it premiered at the Ambassadors Theatre; Helene Ferber in Repayment at the Arts Theatre in January 1936; Trixie Drew in Henry Bernard's play Miss Smith at the Duke of York's Theatre in July 1936; and back at the Queen's in July 1937 as Ann Harlow in Ann's Lapse. [citation needed] She was a guest on the BBC radio show Desert Island Discs on 25 April 1951.[53]. Gaumont extended her contract from three to six years. As a result, Margaret took refuge in a world of make believe and dreamed of becoming a great star of musical comedy. Spectral in black, with her dark, dramatic looks, cold but beautiful eyes, and vividly overpainted thin lips, Lockwood was a queen among villainesses. We celebrate one of the Britains biggest film stars of the 1940s. ]died July 15, 1990, London, Eng. When peace came, her mother was keen for her daughter to follow in her footsteps. Ive been pretty lonely at times.. But what better way to hide one of those "disfiguring scars" than with a cleverly placed beauty mark? She starred in another series The Flying Swan (1965). Karachi-born Margaret Lockwood, daughter of a British colonial railway Your email address will not be published. This naturally raises the question: Why are there two different names? before completing her training at the Royal Academy of Dramatic Art. Margaret Mary Day Lockwood, CBE (15 September 1916 15 July 1990), was an English actress. Lockwood entered films in 1934, and in 1935 she appeared in the film version of Lorna Doone. The pianist is Harriet Cohen, Learn how and when to remove this template message, "Why Stars Stop Being Stars: Margaret Lockwood", "Margaret Lockwood's fame brings problems", "Hollywood Invades The Festival (From London)", "Agatha Christie To Have Three Plays In London", "BBC Radio 4 - Desert Island Discs, Margaret Lockwood", "Crosby and Hope Try their Luck in Alaska", "Australia's Favorite Stars And Movies of the Year", Stage performances in University of Bristol Theatre Archive, Photos of Margaret Lockwood at Silver Sirens, https://en.wikipedia.org/w/index.php?title=Margaret_Lockwood&oldid=1141479007, People educated at the Arts Educational Schools, Commanders of the Order of the British Empire, Short description is different from Wikidata, Articles needing additional references from August 2022, All articles needing additional references, Articles with unsourced statements from February 2022, Articles with unsourced statements from October 2022, Creative Commons Attribution-ShareAlike License 3.0, 1943 7th most popular British star in Britain, 1944 6th most popular British star in Britain, 1945 3rd most popular British star in Britain (. In 1955, she gave one of her best performances, as a blowsy ex-barmaid, in Cast A Dark Shadow, opposite Dirk Bogarde, but her box office appeal had waned and the British cinema suddenly lost interest in her. Her subsequent long-running West End hits include an all-star production of Oscar Wilde's An Ideal Husband (196566, in which she played the villainous Mrs Cheveley), W. Somerset Maugham's Lady Frederick (1970), Relative Values (Nol Coward revival, 1973) and the thrillers Signpost to Murder (1962) and Double Edge (1975). Lockwood had the biggest success of her career to-date with the title role in The Wicked Lady (1945), opposite Mason and Michael Rennie for director Arliss. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree. Miss Lockwood's family would not disclose the . [42] She turned down the female lead in The Browning Version, and a proposed sequel to The Wicked Lady, The Wicked Lady's Daughter, was never made. This film also included the final appearance of Edith Evans and one of the later appearances of Kenneth More. Her first moment on stage came at the age of 12, when she played a fairy in "A Midsummer Night's Dream" in 1928. Guaranteed competitive hourly wage average wage is $16-$18 an hour, plus an incentive commission and tips! Your email address will not be published. She was best known for her roles in The Lady Vanishes (1938) and The Wicked Lady (1945) but also enjoyed a successful stage and television career. The promise of a screen test with Columbia Pictures came to nothing apart from the nose operation and filed teeth that she had in preparation for it. She was survived by her daughter, the actress Julia Lockwood. In 1920, she and her brother, Lyn, came to England with their mother to settle in the south London suburb of Upper Norwood, and Margaret enrolled as a pupil at Sydenham High School. She preferred to drink hot chocolate, buying 60 The third actress daughter of the Raj - following Merle Oberon and Vivien Leigh - she was born on 15th September, 1916. Margaret Lockwood moved out of 30 Highland Rd, London in 1937. But, just what is a beauty mark anyway? Margaret Lockwood autographed publicity for Jassy, The Wicked Lady (1945) photograph (48) | Margaret Lockwood, Margaret Lockwoods jumper Bestway knitting leaflet, Jassy (1947) photograph (34) | Margaret Lockwood, Patricia Roc, Margaret Lockwood photograph (37) | Highly Dangerous 1950, Queen of the Silver Screen Margaret Lockwood biography Spence 2016, Once a Wicked Lady biography of Margaret Lockwood by Hilton Tims, Lucky Star The Autobiography of Margaret Lockwood, My Life and Films autobiography by Margaret Lockwood (1948), 34 Upper Park Rd, Kingston upon Thames KT2 5LD. I like having familiar faces that recognize me. While vascular birthmarks like stork bites and strawberry marks are always something a person is born with, and therefore a real-deal birthmark, pigmented spots like moles are a bit more nuanced. [21] Her return to acting was Alibi (1942), a thriller which she called "anything but a success a bad film. In an interview withRedbook, Ranella Hirsch, a dermatologist and senior medical advisor to Vichy Laboratoires, further warned,"New things on your skin tend to be bad." Registered charity 287780, Watch Margaret Lockwood films on BFI Player, In praise of 1940s icon and Lady Vanishes star Margaret Lockwood. She also doesn't apply the spot in the same place. When I marry, I shall have a large family. What made her a front rank star was The Man in Grey (1943), the first of what would be known as the Gainsborough melodramas. Instead, she calls it her"forever moving mole" and sometimes draws it on to cover a blemish. [54] She lived her final years in seclusion in Kingston upon Thames, dying on 15 July 1990 at the Cromwell Hospital, Kensington, London, from cirrhosis of the liver, aged 73. However, her best-remembered performances came in two classic Gainsborough period dramas. sachets at a time and calling it "my tipple". [12], She followed this with A Girl Must Live, a musical comedy about chorus girls for Black and Reed. [1] In 1932 she appeared at the Theatre Royal, Drury Lane in Cavalcade. Streamline your workflow with our best-in-class digital asset management system. Margaret Lockwood was born (as Margaret Mary Lockwood Day) in Karachi, Pakistan on 15th September, 1916. In between playing femmes fatales, she had a popular hit in the 1944 melodrama A Lady Surrenders (1944) as a brilliant but fatally ill pianist and was sympathetic enough as a young girl who is possessed by a ghost in A Place of One's Own (1945). The film's worldwide success put Lockwood at the top of Britain's cinema polls for the next five years. Early Years It was an uphill battle even for those who survived. And I loved it. Leigh was a great classical actress and a member of Hollywood and West End royalty, but Lockwood was one of us. Stone appeared with her in her award winning 1970s television series, Justice, in which she played a woman barrister, but after 17 years together, he left her to marry a theatre wardrobe mistress. - makes her the epitome of the British noblewoman. Hey Friend, Before You Go.. clerk, was educated in London and studied to be an actress at the She was nominated for the BAFTA Award for Best British Actress for the 1955 film Cast a Dark Shadow. As an only child herself, she had once said: I love children. Lockwood gained custody of her daughter, but not before Mrs Lockwood had sided with her son-in-law to allege that Margaret was "an unfit mother.". Margaret Mary Day Lockwood, CBE (15 September 1916 - 15 July 1990), was an English actress. She was meant to make film versions of Rob Roy and The Blue Lagoon[19] but both projects were cancelled with the advent of war. CURRENT NEEDS: Part time 1-2 days a week 9 AM-3 PM. [2] Lockwood attended Sydenham High School for girls, and a ladies' school in Kensington, London.[1]. Lockwood studied at the Royal Academy of Dramatic Art, Englands leading drama school, and made her film debut in Lorna Doone (1935). After poisoning several husbands in "Bedelia" (1946), Lockwood became less wicked in "Hungry Hill", "Jassy", and "The White Unicorn", all opposite Dennis Price. [29] She refused to appear in Roses for Her Pillow (which became Once Upon a Dream) and was put on suspension. Her final stage appearance, as Queen Alexandra in "Motherdear", ran for only six weeks at the Ambassadors' Theatre in 1980. (1937), again for Carol Reed and was in Melody and Romance (1937). Here's the unadulterated truth. In July 1946, Lockwood signed a six-year contract with Rank to make two movies a year. Pigmented birthmarks simply mean your spots contain more color than other parts of your skin. It became her trade mark and the impudent ornament of her most outragous film "The Wicked Lady", again opposite Mason, in which she played the ultimate in murderous husband-stealers, Lady Skelton, who amuses herself at night with highway robbery. Her short film career, finishing with the 1960 comedy No Kidding, was over by the time she was 20. Seven ingenue screen roles followed before she played opposite Maurice Chevalier in the 1936 remake of The Beloved Vagabond. Her first moment on stage came at the age of 12, when she played a fairy in "A Midsummer Night's Dream" in 1928. InLove Story(1944), a florid romance about the need for self-sacrifice during wartime, Lockwood plays Lissa, a concert pianist who cannot become a Women Air Force Service pilot because she has a weak heart. The Leons separated soon after her birth and were divorced in 1950. She also starred in the television series Justice (197174). A year later, she married a man of whom her mother disapproved strongly, so much so that for six months Margaret Lockwood did not live with her husband and was afraid to tell her mother that the marriage had taken place. This was even more daring in its depiction of immorality, and the controversy surrounding the film did no harm at the box office. Barbara insouciantly dons the costume and pistols of a villainous male archetype associated with sexual conquests: the assumption of a highwaymans costume connotes both womens assumption of dangerous jobs formerly done by men and their liberation as sexually independent beings, both products of the war. Miss Margaret Lockwood, CBE, film, stage and television actress who became Britain's leading box-office star in the 1940s, died of cirrhosis of the liver in London on 15th July, 1990 aged 73. The Wicked Lady is a 1945 British costume drama film directed by Leslie Arliss and starring Margaret Lockwood in the title role as a nobleman's wife who becomes a highwayman for the excitement. Trained on the stage, Lockwood made her film debut in 1935 and distinguished herself as the ingenue lead of Hitchcock's delightful suspenser "The Lady Vanishes" (1938) and as the vain wife of Michael Redgrave in Carol Reed's fine mining-town drama "The Stars Look Down" (1939). Much more popular than either of these was another melodrama with Arliss and Granger, Love Story (1944), where she played a terminally ill pianist. Her last professional appearance was as Queen Alexandra in Royce Ryton's stage play Motherdear (Ambassadors Theatre, 1980). Her RADA-trained voice was posh, of course, but not supercilious. Karen Hearn, an honorary professor of English at University College London, told BBC, "He found them worrying." The film was a massive hit, one of the biggest in 1943 Britain, and made all four lead actors into top stars at the end of the year, exhibitors voted Lockwood the seventh most popular British star at the box office. The film was a critical and box-office disappointment. Lockwood married Rupert Leon in 1937, and the marriage lasted for 13 years. Margaret Mary Lockwood, the daughter of an English administrator of an Indian railway company, by his Scottish third wife, was born in Karachi, where she lived for the first three and a half years of her life. Back at Gainsborough, producer Edward Black had planned to pair Lockwood and Redgrave much the same way William Powell and Myrna Loy had been teamed up in the "Thin Man" films in America, but the war intervened and the two were only to appear together in the Carol Reed-directed The Stars Look Down (1940). In the 17th and 18th centuries, smallpox was running rampant in Europe. was margaret lockwood's beauty spot real; was margaret lockwood's beauty spot real. "[48], Lockwood returned to the stage in Spider's Web (1954) by Agatha Christie, expressly written for her. A visit to Hollywood to appear with Shirley Temple in "Susannah of the Mounties" and with Douglas Fairbanks Jr in "Rulers of the Sea" was not at all to her liking. [45] Lockwood said Wilcox and his wife Anna Neagle promised from signing the contract "I was never allowed to forget that I was a really bright and dazzling star on their horizon. Gilbert later said "It was reasonably successful, but, by then, Margaret had been in several really bad films and her name on a picture was rather counter-productive. She was borrowed by Paramount for Rulers of the Sea (1939), with Will Fyffe and Douglas Fairbanks Jr.[15] Paramount indicated a desire to use Lockwood in more films[16] but she decided to go home. Switch to the light mode that's kinder on your eyes at day time. While much of the world in Shakespeare's time was focused on "spotless beauty," the poet and playwright found imperfection to be rather stunning. October 17, 1937 - 1950 (divorced, 1 child), The Slipper and the Rose: The Story of Cinderella, Karachi, British India [now Karachi, Pakistan]. alcohol. Simply put, if a person is born with a mole, it is then also considered a birthmark. Collect, curate and comment on your files. An unpretentious woman, who disliked the trappings of stardom and dealt brusquely with adulation, she accepted this change in her fortunes with unconcern, and turned to the stage, where she had successes in Peter Pan, Pygmalion, Private Lives and Agatha Christies thriller, Spiders Web, which ran for over a year. But as the film progressed I found myself working with Carol Reed and Michael Redgrave again and gradually I was fascinated to see what I could put into the part. It's hard to even imagine Crawford without it. In 1938, Lockwoods role as a young London nurse in Carol Reeds film, Bank Holiday, established her as a star, and the enormous success of her next film, Alfred Hitchcocks taut thriller The Lady Vanishes, opposite Michael Redgrave, gave her international status. Several kings and queens even succumbed to the disease and, according to History.com, it is thought that 400,000 commoners died each year as a result.

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